فیلم های کشور (Occupied Palestinian Territory)

A Palestinian surgeon drives home after a long night shift, but little does she know that a commute through a desolate West Bank road will change her forever.

The first full length film to be shot within the occupied Palestinian West Bank "Green Line," FERTILE MEMORY is the feature debut of Michel Khleifi, acclaimed director of the Cannes Film Festival triumph, WEDDING IN GALILEE. Lyric...

A Palestinian school teacher struggles to reconcile his risky commitment to political resistance with his emotional support for one of his students and the chance of a new relationship with a volunteer worker.

This film made by a Palestinian-Israeli collective shows the destruction of the occupied West Bank's Masafer Yatta by Israeli soldiers and the alliance which develops between the Palestinian activist Basel and Israeli journalist Y...

Years after leaving her Palestinian village to pursue an acting career in France, Hiam Abbass returns home with her daughter, in this intimate documentary about four generations of women and their shared legacy of separation.

The film is set in the near future, and it looks back on how peace was made in 2013 between Israel and Palestine. It is the story of two businessmen - one Palestinian and one Israeli - who struggle to set up a solar energy company. Both come from societies where there is strong opposition to cooperating with the other, and the film tells how they overcome hostility from within their own families and from the people around them. In the end, they mount a Facebook campaign that brings popular suppo

A romantic drama about a working-class woman and her experiences traveling back home.

In the Magway region of Myanmar, a country home to one of the oldest petroleum industries in the world, live husband and wife Thein Shwe and Htwe Tin. Running an unregulated oil field, they produce a barrel every few days. They wish above all else to see their youngest son succeed, to break the cycle of poverty.

Through the stories of Assaad Shaftari, a former high-ranking militia officer, and Maryam Saiidi, the mother of a missing communist fighter, the film digs into war wounds and poses the question of whether or not redemption and forgiveness are possible.